First Brian Wilson finished Smile. Then Jandek played live. And now, Jeff Mangum, the elusive, fragile and possibly downright batty mastermind behind Neutral Milk Hotel, has made his first major public appearance in years, joining Olivia Tremor Control last night at the Bowery Ballroom in New York City. (What next, Syd Barrett does Coachella? Pretty soon, we’ll have no more mysterious crazy geniuses to obsess over.) According to Billboard.com, Mangum "bounded" on stage "decked out in a blue button down shirt and green ball cap" to belt out "I Have Been Floated". The crowd promptly lost their shit, and there was much rejoicing. He later returned for the encore, "Shaving Spiders," which ended in a chaotic group hug/pile-up.
Reader Nicholas Kinsey reports, "When Jeff sang, his voice came from the earth, not the heavens (as he does on the records we love). He was haunted, as if he had not sung a note in five years...It was powerful yet unsure...His eyes darted from the audience and up past the ceiling and into the sky as he clenched a water bottle that looked like it would burst... There was optimism in the whole show...A revolution thought defunct, now alive."
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Wednesday, August 3
by
Sean
on August 3, 2005 08:45PM (PDT)
Monday, August 1
I have been to busy to write lately. Or, more accurately, to write well. I was all over the place talking about Ryan Adams, and didn't get to make a point about his fast and loose similes. Well I just heard a Guy Clark song that made the point for me. Its the first song he wrote and kept, he jokes. But he learned from Townes, so he had a bit of an advantage. Here are the Lyrics.
So the grey cat line is great. I have had Prufrock on my head for over week now too. Remember this:
Ok, Ok, there isn't much of a relationship between that Cat and Clark's. Like I said, the poem has been in my head, that's all. The next song contains this greatness:
Bet Elliot couldn't come up with something like that. Too much swagger for the ole Brit. Or this line, earlier in the CD
I just googled that line to make sure I had it right and found some interview with a poet who is claiming it to be his own. Or maybe I am misterpetting the parenthetical "Orginal" in this:
Way to ruin a line by trying to do to much with it. And then claim it as your own?
by
Sean
on August 1, 2005 08:34PM (PDT)
Though I have some different ideas then her, I have always thought Krista at Stumptuos.com was the goto girl for beginning weightlifting tips. She's got tons of good advice, and seems plenty motivational. Here are some money clips from her website.
ON SUGAR
ON SQUATS
ON WOMEN WHO 'DON'T WANT TO GET BIG"
ON PANDAS
Everyone go check out her site, then get back to me with your favorite quotes.
by
Sean
on August 1, 2005 07:25PM (PDT)
Saturday, July 30
Pitchfork has a great interview with Ryan Adams, who seems to be recovering nicely from his 4 year bout of recursive self involvement. He says
I have allways suspected his problem is a bit like alcoholism in that he'll never be able to kick it completely, but it sounds like he's on the right track. I just put in Cold Roses, which I had been avoiding. [Whats with his singing on this Plateau Song. A bad start.] This is funny too:
[Second song is much better]
At some point today I was googling around and came across mention of Andrew Sullivan pontificating on how iPods are keeping us detached from the world. [Adams is relying on Momentum quite a bit more. Could be his Dead appreciation coming through] I am sure Sullivan made his point well, and if not, I am sure other people out there have made it well, but I can't be bother to check. I mean, for pete's sake, if your tether to the world is so frayed that you're treasuring your relationship to strangers on the bus, the iPod isn't your problem. [Title Track is a standout] Back to Ryan Adams. He just said, "Angry as a Breeze". What does that mean? He got a problem with confusing similes and Breezes aparantly. Both songs survive though. Well, 'Damn Sam' did more than survive, it was frooking awesome. I was just going to write that song I am listening to now is pretty good, but then it got all 'Cold Mountain' like, with its war message. And then I checked the song title, and saw that it is fact called "Magnolia Mountain". This may tie back to the source of his famed Jack White Fued, I don't know.
UPDATE: I just read the pitchfork review of the album. They got to the Grateful dead point before me, but they were talking about vocals, not momentum. They LIKE the Magnolia Mountian song. It did start strong, at least. And the next song was worse. They did write this though, which is cool:
No Pho, I wasn't drunk when I wrote this. I just couldn't see the keyboard very well, and had spent all day traveling. I had woke up in Corpus Christi, drove to San Antonio, then flown through El Paso en route to LAX. By the end of the day I had eaten breakfast burritos outside of Corpus, Enchiladas at las palapas at San Antonio IA, Enchiladas at El Paso Airport, and then MooShoo in Manhatton. This might explain any incoherance on my part.
by
Sean
on July 30, 2005 08:38PM (PDT)
Wednesday, July 27
Geeesie Weesie, I can't have everyone think I am bitter. Here is some poetry, to showcase my sensitive side.
by
Sean
on July 27, 2005 08:06PM (PDT)
Tuesday, July 26
I have gotten a bit rusty, missing an obvious Blue Velvet Reference, its ancillary Black Velvet Reference, and a Road Rash reference to tie all together. I guess the post was gay enough anyhow, and Lita Ford would have kicked that Canadian’s ass, no matter what her name is.
So now I am sitting at a desk in the burbs of San Antonio, drinking Maxwell house out of a single serving French press watching the garden trolls patrol the backyard pool. Exciting stuff. Last night I went to the River Walk in San Antonio.
On the way there I found out that Alex shares my hatred of Fantasy Football. Well, his hatred is broad, where mine is deep. He is likely to dismiss you outright, no matter the level of your participation. He’s like that though. I dare say it’s his specialty, and he does it with enthusiasm. But much like Officer Shrift, he isn’t stickler for enforcement. (“We all do here [eat our words], you should have made a tastier speech!”)
I, on the other had, don’t care what you do alone on the internet in your bedroom, but if you start talking about Fantasy Football during an actual football game, you should be ejected from the premises. No excuses. I am going write an essay on this soon, so I will table the subject for the time being, but let me make one point. The “It Makes the Games More Interesting” argument, first deployed in defense of sports betting, is the worst since “Well, the Dutch do it that way”.
Who are these people that need to contrive reasons to watch football? It’s not a history lesson: If you aren’t interested, for everyone’s sake go do something else! There used to be a name for people who complained about watching games they weren’t interested in. Women.
(Disclaimer One: I don’t believe Sports Betting needs a defense, but people are always offering unsolicited ones)
(Disclaimer Two: I know plenty of women who say they love to watch football, and I sometimes I even believe them)
by
Sean
on July 26, 2005 03:40PM (PDT)
Sunday, July 24
Went to Bazaar both nights this weekend. Alex snagged a dude with his Rolex, which was a monumental waste of the best pick-up line since "excuse me, I seemed to have misplaced my congression medal of honor":. "Excuse me, But your sweater has gotten stuck on my Rolex". The guy took it like a champ, if you know what I mean. After the incident the sweater was earning horrific to-the-pain-esque remarks from the crowd like "Oh my god, what is that thing!!". It looked like he took a shotgun blast to the kidneys. I would have had to go home, but he was dancing with the prettiest woman in the bar, says Alex. (I thought the prettiest was the girl in the striped dress and matching wrist band). Earlier a guy had ordered two red bull drinks, which we would have mocked had we had the energy. The irony wasn't lost on us. And then another man of questionble taste ordered two buttery nipples and Vanilla Stoli-and -Coke. This definately would have galvanized our attack had he not paid for it with a UGA Visa. Oh, make no mistake about it, this pissed us off even more, but we were too stunned to act. All this had Alex mumbling to himself "I am in a David Lynch Movie, I am in A David Lynch Movie....". I told him that after a half-dozen of the Grey Goose and Bombays he'd been drinking, everything starts to feel like a David Lynch Movie. No one knows how to make one of those by the way. Probably this is because there is no right way. One bartender laid down a Gin Martini with a shot of Vodka on The side, and then asked, "Who's the senior citizen who orders these types of drinks?". Everyone pointed to me. I can't get a fair shake. If it wasn't the strange drinks making Alex dizzy, it was my handwriting. I usually just bite my tongue when people say things like "I have the worst handwriting in the world". There are a lot of diseases and conditiones one could have that might effect someone's penmanship such that it is worse than mine. I saw, for instance, a guy whose toes were surgically attatched to his hand to replace his fingers. Something like that might put you in the runnning. Anyhow, Alex got ahold of some of my penmanship and had laughed himself into demensia. At one point he was cordially asking people at the bar to transcribe "WhiskeySlowdown", in an attempt to establish a benchmark. Fortunately for me, Atlanta women are largly incapable of conversation this beyond the norm, and often retreat behind horrified or snide stares. "Excuse me, would you mind writing THIS [pointing to words on napkin] on THIS [pointing to blank napkin], is not the same as as saying "Can you write THIS [Pointing to words], on THIS [Grabbing her Ass]", but the differnce is apparantly lost on some people. The old Alex would have then insulted them untill they cried, which was allways fun. At the airport Alex talked me into staying in San Antonio for a week. Were going to go see Bob Schneider in Corpus Christi on Friday and work on the QProject all week. We did do some business this weekend, coming up with the company slogan "The only thing we do Offsore, is Vacation".
by
Sean
on July 24, 2005 08:00PM (PDT)
Monday, July 18
The problem with brilliant things is that they often blind, or otherwise cause mild discomfort. So much great new music will give you a headache in certain circumstances: Take for instance every-other Dismemberment Plan song, and the edges of most Wilco songs. But we've learned to accept it and at times expect it, so when something comes along that doesn't touch a few nerves, we tend to towards skepticism. How good can a new CD be if it is immediately and completely listenable? Pretty good, and I submit Broken Social Scene's sophomore Album "You Forgot it in People" as evidence. Broken social scene is a 11 person band commonly referred to as a collective. This word seems to mean nothing, except that the members come from other bands and that there are lots of them. The only moment on the whole CD that tickles anything other than the pleasure sensors of your brain in the imagery of the song "Lover's Spit", and perhaps the unsingable lyrics of the song "I'm Still your Fag". But like the fire swamps,and the rest of the album, the song titles telegraph the their contents. The only serious flaw on the CD is that these two mellow songs seem misplaced at the end of such a rich, complex CD. And that's my larger point: This is a album with 11 people placing complex, catchy, adventurous Pop, and they never misstep. The album starts with "Capture the Flag" which is something of an overture. I get to call it that because its instrumental and first. It sets up, in a pattern repeated later, the awesome "KC Accident", which builds into the first musical highpoint before making room for its delicate boyish vocal refrain. The song structure, at least in macro terms, is reminiscent of Wilco's Ghost is Born with its rising drum action leading into delicate vocals, the main difference is that here and throughout there is an emphasis on pop sensibility and song structure over contrast and experimentalism. Not that they don't do more that just flirt with feedback two songs later on the anthemic "Almost Crimes", but its subtly muted and matched by dueling male and female vocals. The song is reminiscent of Sparklehorse's "Piano Birds" in which Linkous enlisted a game PJ Harvey to help sing over one of the louder, and crunchier, songs on his second album. "Almost Crimes" also benifits from driving drum section, what sounds like a petulant hornist trapped in a closet, and some well placed arcade tazers. It also leads into the looping "Looks just like the sun", which begins and ends with that hypnotic refrain. This song may not have the staying power of some of the others, but it jumps out in the same manner as GeggeyTah's repetive "Last Word", in which an equally delicate voice laments that "she said I was the one for her". They unplug the horns on the instrumental "Pacific Theme" and add some shimmering guitars and vibraphone work. There are definitely things jangling throughout, but its comfortable through-and-though. This concept is perhaps best described as the difference between the Shins brilliant "Saint Simon' and the more infectious "New Slang". The next song features first only a female vocalist and a plucking banjo, but slowly adds a violin to compliment the increasing but still hushed urgency of her repeated instruction, "park that car, drop that phone, sleep on the floor, dream about me". The song is titled "Anthem for a seventeen year old girl", and thought the title goes to content, you can't hear that song and not realize that had you known of this band in highschool, you would have scribbled their name all over your trapper-keeper. And then right on cue we get "Cause = Time", which is ripe with High-School navel gazing like
And it works. Sure, it wouldn't work if there was another song like it on the album but their isn't, either musically or lyrically. Its fuzzy pop-rock number that gets compared to Dinosaur Jr, which is only obvious once someone mentions it. The next song is the instrumental "Late Night bedroom rock for missionaries". Its suitably spare, continuing the trend of perfectly instructive song titles, and effective as it sets up the incredible "Shampoo Suicide". The song, and especially its simmering guitar notes, remind me of the best moments of James WahWah album, which was a collection of jams the band captured while recording their Laid album. The song transitions nicely into "Lover's spit", which would be out of place if there was any other place to put it (There isn't, I tried). Its too good to leave off though, as is the following "I'm still your fag" which, by virtue of being the simplest song musically, manages so showcase some clever, but otherwise oblique, wordplay.
The final song is reprisal. I know this because it is short, instrumental, and familiar, repeating a earlier melody at half speed. The album ends slowly, and I think thats it only failing. This isn't an album that begs to be discussed, it begs only to be listened to. But once you start writing about you keep finding things to talk about. I didn't, for instance, mention one of the best songs, "Stars and Stripes" which uses handclaps to perfection. I didn't mention the perfect production which at one point elevates the vocal cues between band memebers: "Come in after this" he says , before he continues singing "It looks like the sun. It looks just like it". I could continue, but this line, as a comment on the identification of things brilliant, is a suitable place to stop. Go check it out.
by
Sean
on July 18, 2005 06:19PM (PDT)
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